Finding Why (#6 of 6 Tools to Write)

#6 in a series of 6

It’s easy to lose track of why you wanted to be a writer in the first place. If you have vague dreams of fame or fortune, those won’t keep you going, especially when they don’t materialize quickly.

[image: writing is the tool I use to understand what's important in my life” width=”200″ height=”324″ class=”alignright size-full wp-image-2531]While we’d all love to be rich and famous, I don’t think that’s why you write. It’s not why I write.

I write because I love the feel of words. I write because I have feelings which are clarified only when I find words to put them in. I have ideas which might benefit others. I have questions.

I believe writing takes the vague, wandering abstracts out of my head and makes them clear, understandable things I can look at and play with. I believe it helps me decide whether they should remain part of my life or be forgotten in the drawer.

… more … “Finding Why (#6 of 6 Tools to Write)”

The Timed-Release Capsule and Growth Through Use; or, Where the Ideas Come From

We ask where great ideas and creativity come from, not because the question itself matters, but because we want to go there in order to find more.

[image: photo http://www.sxc.hu/photo/635810 by OBMonkey http://www.sxc.hu/profile/OBMonkey” width=”200″ height=”289″ class=”alignright size-full wp-image-2413]Reading Steven Pressfield’s take on the question prompted a visceral response with my own beliefs.

We are, in part, Divine, fashioned by a creator to be creators. Thus, creativity is built into us like a time-release capsule.

Except it’s not released by time. You can wait till the cows come home and if you don’t add the activating ingredient to the capsule, it will never release.

… more … “The Timed-Release Capsule and Growth Through Use; or, Where the Ideas Come From”

What Are You Willing to Risk for Your Art?

Entrepreneurs love to talk about risk, especially the risks they take to bring their products and services to market.

They always seem to be talking about money. They invest heavily in their creation and if it doesn’t take off they could lost it all.

I have yet to hear one of these risk-takers say they’ll lose everything they own.

Even that isn’t what’s scary.

If running out of money is the worst thing you can imagine you don’t have much imagination.

[image: Maslow's Heirarchy: the higher you go . . .” width=”444″ height=”330″ class=”aligncenter size-full wp-image-2386]

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When There Are No Exceptions

[image: photo http://www.sxc.hu/photo/1319306 by Nick Albufairas http://www.sxc.hu/profile/nickwijnan” width=”222″ height=”222″ class=”alignright size-full wp-image-2381]Facts are facts, right?

Here’s a fact you may remember from Middle School Biology: the human body has 206 bones.

Except sometimes.

It’s not uncommon to have an extra rib, or an extra bone in the arch of your foot. (Between the two, it could be as high as 20% of the population.) Those people have 207 bones. (Unless you have both an extra rib and one of 3 possible extra bones in your foot.)

Exceptions exist. Even to well-known medical facts.

Let me ask you about another fact: does listening to Mozart make you smarter? Will it make your child smarter?

… more … “When There Are No Exceptions”

Why I Want to Be Raymond Chandler When I Grow Up

Raymond Chandler has the second most distinctive voice in fiction. (Dr. Seuss has the first.)

I’ll pretend you don’t already know everything there is to know about Chandler and his invention of mystery noir and creation of the most human detective in the genre, Philip Marlow. I’ll also assume you don’t need the full story, just enough tease to make you want to find out for yourself.

At the age of 54 the Great Depression took his job as an oil exec. (What a wasted life that would have been.) He published his first short story a year later, and his first novel 7 years after his life change.

The Big Sleep.

Ahem.

The Big Sleep.

Yes, I’m shouting.

Writers and readers and lovers of the mystery genre will live in its shadow eternally. It is a universe unto itself.

The first paragraph annihilates all the foreshadowing of Poe (inventor of the mystery story) and Hammett (creator of Sam Spade, author of The Maltest Falcon which is the greatest mystery film ever made.)

Approach this with an open mind. Let the words be what they are and not what you expect. And hear the voice of Philip Marlowe, a man who sees the darkness around him and knows irrevocably his duty to bring light.

It was about eleven o’clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark blue clocks on them. I was neat, clean, shaved, and sober, and I didn’t care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.

Try reading that aloud and not sounding like the wise-cracking tough guy from the movies. This is that guy, the original.

Look at what meaning he conveys in a paragraph full of non-meaning: a man who shares that much about his clothing is clearly a careless dresser. A man who announces he’s sober, well, if that’s news, we know one more thing about him. And a man who says he doesn’t care who knows it — this is a man who feels the weight of society’s disapproval and wishes he didn’t.

In fact, he shares precisely two facts of any value in that paragraph:

  1. he’s a private detective; and
  2. his client is wealthy.

You will never once care that it is October or that it’s a gloomy rainy day, although Chandler is brilliant at giving us enough environment to let our unconscious put us there with Marlowe. We may or may not see the black wool socks with blue clocks on them again. We will not care, either way (though Marlowe’s attire is at least a hint of the time period.)

Whether you care about mysteries or not, The Big Sleep is an important book and should be read by any writer of fiction.

I had some fun with it at my personal site.

How My Mom’s Kitchen Advice is Hindering Your Writing

[image: photo http://www.sxc.hu/photo/1416846 by Suzanne T http://www.sxc.hu/profile/jaroas” width=”170″ height=”300″ class=”alignright size-medium wp-image-2296]Invariably, during every cooking show my mom watches she tells the professional on the screen you shouldn’t crack the eggs right into the dish you’re preparing; what if one of the eggs is bad? You just ruined the whole thing!

Oh, and when you’re done washing the dishes and wiping the table, rinse the dish cloth in cold water. Prevents germs from growing so it doesn’t start to stink.

My mom grew up in a home and a time when eggs could be dodgy and when laundry was done weekly, not daily (or more.)

Those TV chefs? They probably use hand-selected organic custom eggs from their private stock.

The dishcloth? Own 7. Wash in bleach. No smell.

Here are some writing questions I see all the time:

… more … “How My Mom’s Kitchen Advice is Hindering Your Writing”

How Personal Relationships Make Feedback Valuable

[image: photo http://www.sxc.hu/photo/1230310 by peter ehrlich http://www.sxc.hu/profile/crazedcoug” width=”200″ height=”251″ class=”alignright size-full wp-image-2271]Sometimes when we’re stuck a total stranger has our answer. It’s not the most likely avenue to resolve our writing challenges, though.

The stranger would have to discover that we have a problem, and they’d have to know the solution (or at least a solution.)

If you describe your writing challenge to me, I have a rare ability to see and hear viscerally which gives me insights which are valuable even to a complete stranger.

That doesn’t scale, though. I can only work with a handful of coaching clients at a time. Also, I’m expensive.

… more … “How Personal Relationships Make Feedback Valuable”

Inspiration and Sources for the “Authors Dare Greatly” Post

I’ve been pondering my mission here at Someday Box. Yesterday’s post was sparked by others daring greatly.

Best Beloved and I were watching Jonathan Fields chat with Brené Brown on the Good Life Project.

They both dare greatly. The conversation, you may have guessed, fired me up.

Fired. Me. Up.

Daring Greatly is the title of Brené’s latest book. It comes from a Theodore Roosevelt’s speech Citizenship in a Republic delivered at the Sorbonne, in Paris, France on 23 April, 1910. Here’s the bit you may have heard before:

… more … “Inspiration and Sources for the “Authors Dare Greatly” Post”

Authors Dare Greatly

[image: photo http://www.sxc.hu/photo/860593 by Sebastian Wendowski http://www.sxc.hu/profile/seebits” width=”200″ height=”430″ class=”alignright size-full wp-image-2223]I want you to write your book. Not the vague generic “you” of the unnamed faces of possible readers of my blog.

I mean you, the specific person reading this right now.

I want you to be a hero.

Have you ever seen a little kid stand up to a bully? Everyone else meekly stands by, angry, but too scared to speak up.

There are bullies who want to frighten you into submission. To prevent you from writing your book. They don’t want to hear what you have to say because they don’t care what you have to say.

Stand up to the bullies. Speak out.

Write your book.

What if you fail? What’s the worst thing that can happen? You won’t die. Your loved ones won’t die.

Trust me, the worst thing that can happen is that your book will writhe in anguished silence on a lonely shelf.

But you won’t die.

Consider the opposite: what if you succeed? What if even one solitary stranger buys your book, trusts your description of it and the cover and the excerpts and all that, and shells out their hard-earned money for your book?

There are few greater glories.

But that’s not the opposite of failing. Whether your book dies on a shelf or gloriously enlivens another human being, there’s something far worse.

What happens if you don’t write your book?

Not “what happens to your book?” because there is no book.

What happens to you?

What happens if you let the bullies out there, or the toughest bully, the one inside your head, intimidate you out of your art?

What happens if you go to your grave with this book unborn?

A miscarriage is a tragic event in part because it’s invisible. We have endured such things, my Best Beloved and I, and it’s not possible to convey the level of hurt to someone who hasn’t experienced it.

If your book is never written, we might never miss the book.

But we’ll see it in your eyes. We’ll hear it in your voice. That dead, flat spot in your soul, where you’d have contentment and peace and a certain amount of joy, if only you’d write that book.

Every time you hear about a new book, every time a friend or distant acquaintance says hey, I wrote a book, every time you look in the mirror, you’ll know:

I have a book dead inside me.

Resurrection. Birth. These are eternal themes in literature for a reason: the acts of creation are Divine gifts that make us human, make us more than animal, only slightly less than gods.

Every single person who has ever written a book has dared greatly, no matter what the proportion of perceived success accrued to them.

Authors dare greatly.

Every author dares greatly.

Dare greatly.

Please.

Write ‘Em All and Let the Market Sort ‘Em Out

[image: photo http://www.sxc.hu/photo/1420666 by Vaughan Willis http://www.sxc.hu/profile/Bongani” width=”200″ height=”303″ class=”alignright size-full wp-image-2215]Here is why anyone is allowed to write a book despite the outcry from traditional publishing. It’s why a market full of substandard books doesn’t destroy anything.

Let’s use something entirely different as an analogy.

Let’s say somebody wants to open a new restaurant in town. The other 10 restaurateurs suspect the new chef doesn’t know what they’re doing.

Does that give them the right to prevent that restaurant from opening? I think not.

Let’s go extreme.

… more … “Write ‘Em All and Let the Market Sort ‘Em Out”